Description
I’m a Los Angeles-based Digital Imaging Technician and an Oklahoma native with 15 years of experience in commercial production and credits in independent features and narrative television. I frequently visit Oklahoma and am actively looking to work on projects in my home state.
I bring a fast, technically precise approach to set, ensuring secure media handling, consistent color management, and a smooth bridge between production and post. I have worked extensively with many camera systems, supporting a wide range of production scales — from high-end commercials to low-budget non-union features.
Open communication between the DIT and Director of Photography is key to a smooth workflow. Careful image analysis helps identify any potential issues early on, and clear feedback supports a shared understanding of the visual goals. My intention is to maintain consistency and achieve the desired look of the project.
Known for my reliability, technical troubleshooting, and an eye for grading and coloring. I help maintain creative intent while delivering robust, production-ready files under tight deadlines.
I enjoy my role on the set and embrace new technologies, workflows, and software with an open mind and genuine enthusiasm.
Special Skills & Experience
Experienced in:
In-Camera Live Grading, On-Set Color Management
Dailies creation on set, Syncing Sound, Dailies, and Data uploading
Optimizing Media Backup for efficiency in cost and speed
Project Archiving onto LTO tape
Look Creation: Custom LUTs, CDL Workflows, ACES Integration
Camera Systems Expertise: Arri, Red, Sony, Canon, Ember, Phantom, BlackMagic, DJI, Dream Chip, Panasonic, etc.
Multi-Camera, VFX Plates, VR Wall, Motion Capture, 3D Production
Color and Data Pipeline coordination
Fast, Flexible Kit while maintaining workflow efficiency
Collaborative, Production-Focused Mindset
Software Proficiencies:
Livegrade Pro, DaVinci Resolve, Silverstack, Silverstack Lab, ShotPut Pro, Yo Yotta, Adobe Lightroom, Frame.io, Codex, MacOS